#Matthew mcconaughey fishing movie movie

When the foreshadowed twist arrives, it is beautifully ludicrous. Meanwhile, a bespectacled bureaucrat type (Jeremy Strong) keeps an eye on him. When Dill skinny-dips in the ocean, he seems to communicate telepathically with his son. But writer-director Steven Knight, who made the buzzed-about one-man thriller Locke, drops hints that he has something else up his sleeve.

#Matthew mcconaughey fishing movie movie

If the movie continued in this vein, it would be merely forgettable. Remarried to a rich sadist (Jason Clarke), she offers Dill $10 million to 'drop my husband in the ocean for the sharks.' Dill is tempted, mainly because he's worried about the vulnerable son (Rafael Sayegh) he left behind.

The overheated atmosphere of vintage Cinemax only thickens when a platinum blond Anne Hathaway saunters in as Karen, Dill's ex, and the camera swoops appreciatively around her. That dialogue is representative of the film's attempts at being a steamy noir. 'I'm a hooker who can't afford hooks,' Baker Dill drawls back. 'You're nothing but a hooker, Baker Dill,' she purrs, revealing that he bears the sort of 'manly' name a middle schooler might invent. Out of cash, he traipses up the hill for a tryst with Constance (Diane Lane), who's happy to finance him. The remonstrations of his sensible first mate (Djimon Hounsou) fail to dampen McConaughey's ardor for the fish. Thus is our hero established as a hybrid of Captain Ahab and Ernest Hemingway, with a half-audible raspy growl to match. His main trade is catering to tourists, but he's so obsessed with catching a particular tuna, which he's dubbed 'Justice,' that he pulls a knife on a client who dares come between him and his prey. McConaughey plays a fishing-boat captain based on a Caribbean island called Plymouth. Where exactly is the line between a bad movie and a so-bad-it's-good movie? Serenity, the new thriller starring Matthew McConaughey's bare chest, poses many questions, including ones of a philosophical and existential nature, but they all pale in comparison to the question of whether the film's sheer silliness makes it worth watching.